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Category: kaddish in two-part harmony

The Academic and the Musician. The academic immerses in Kaddish with thoughts of thinking rather than feeling—the emotions being too raw. The musician spends her time in making us feel, whether we want to or not.  And making the music of kaddish. Making music kadosh. A flurry of emails ensue between the two. Their blogs lock horns, as do the writers themselves. They start a joint blog. They start a podcast.

A commitment to a year-long project has begun: a kaddish in two-part harmony.

A conversation among an anthropologist, a musician, and their audience on themes of death and dying, grief, ritual, the interplay between musician and listener.

gypsy

Posted on 28 April 2011 by mira

I was sitting with Mrs Tzaddik this afternoon, in the glorious sunshine.  Light breeze.  Not too hot.  One of those rare perfect moments.  There too, was one of the caregivers, and my friend T, a large white male akin to a polar bear.  I was trying to convince her to record her tales so that…

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A Kaddish for my mother, Ruth Leavitt Kadish

Posted on 28 April 201121 September 2011 by Lori Goldwyn

It’s been 7 months since my mother’s passing on September 19, 2010.

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the shikse makes more charoset—& mrs tzaddik doesn’t care

Posted on 28 April 2011 by erin

After years of making the weak, watery Ashkenaz muck that Mira so disdains, I ran across this recipe in the The New York Times Passover Cookbook, credited to Larry Bain and Catherine Pantsios as an adaptation of his gramma’s.

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daily kaddish: tornado victims’ lullaby

Posted on 28 April 2011 by erin

Dozens of people have already been reported killed in tornados sweeping through Alabama today. I didn’t feel like playing Kogan’s “Kaddish” tonight. Instead, I improvised a sort of lullaby for those people and their loved ones.

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daily kaddish: for lost histories

Posted on 26 April 2011 by erin

I’ve spent the evening digging through ancestry.com and a box of old family photos—most unlabeled—mixed up with big envelopes of negatives (also unlabeled except that they were ordered from Bismarck, North Dakota by my great-grampa (Mom’s dad’s dad) Herman L Selvig from Plaza, North Dakota. I haven’t been able to make a whole lot of sense of most of it.

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some perspectives from the shikse’s dad

Posted on 26 April 201126 April 2011 by erin

Dad and I were talking about the “kaddish in two-part harmony” project the other night, and he muttered something about spending a career dealing with death. I’d never quite put it together that his thirty years in the Social Security Administration had had him dealing with death all the time—well, duh! So I asked him to write a guest essay about what that was like.

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daily kaddish: for don, sr

Posted on 25 April 2011 by erin

A kaddish for our neighbor don, sr; we just learned of his passing two weeks ago.

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daily kaddish: chez rebecca

Posted on 24 April 2011 by erin

Today Mira and I visited her mom, Rebecca, for a mini Seder, and I recorded a kaddish afterward in her great room. Wow.

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daily kaddish: mohammed bouazizi

Posted on 24 April 2011 by erin

Mira dedicated this kaddish to Mohammed Bouazizi, whose humble reaction to bureaucratic humiliation set off the revolution in Tunisia, which set of revolutions in Egypt and Libya.

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daily kaddish: plague of jazz

Posted on 22 April 201124 April 2011 by erin

I didn’t have the energy to engage with what’s important. Instead I played a frippery on the Kaddish—an escapist kaddish that was jazzy in the sense of a plague. Not good jazz, not fun. No, the jazz you play when you don’t feel real jazz.

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email mira and erin: kaddish@beitmalkhut.org

  • kaddish in two-part harmony (555)
    • essays (160)
    • guest essays (11)
    • podcasts (388)
    • project news (13)
    • tzaddik stories (31)
  • Seymour Fromer z"l (16)
  • the rebbe's queer daughters (11)
  • a kaddish for the math prof who taught me the most important thing i ever learned about music
    by erin
  • Protected: a sample recording
    by erin
  • a kaddish for the forestry buff who also played horn pretty well
    by erin
  • in the beginning…
    by erin
  • kaddish for anke akevit (2015-20)
    by erin
  • a kaddish for too many suicide victims—but it gets better!
    by erin
  • a kaddish for sigrid syltetøy vang, b. 2006, d. 27 February 2018
    by erin
  • guest kaddish: velvet marquesa flicka storm, 11 august 2005–9 april 2015
    by erin
  • the stones I cannot place
    by mira
  • oh amy, how could you — a kaddish for amy smith
    by mira

anthropology backstage cats Charlotte Adams China choreography collaboration dads death death and dying divorce dogs exhaustion grief japan Jewish identity John Manning kabbalah kaddish life cycle Magnes Museum Malkah Middle East moms mourning murder music musicians musicology parenting piano ritual Sephardi Seymour Fromer Space Place suicide supine text the rebbe's queer daughters tzaddik tzaddik stories University of Iowa women writing yahrtzeit

Copyright

© 2010–24 by Mira Z. Amiras and Erin Vang (beitmalkhut.org). All rights reserved worldwide.

thank you—תודה רבה

Permission to use Lev Kogan's "Kaddish," © 1982 by Israel Brass Woodwind Publications
In-kind support: Global Pragmatica LLC®

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