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Category: kaddish in two-part harmony

The Academic and the Musician. The academic immerses in Kaddish with thoughts of thinking rather than feeling—the emotions being too raw. The musician spends her time in making us feel, whether we want to or not.  And making the music of kaddish. Making music kadosh. A flurry of emails ensue between the two. Their blogs lock horns, as do the writers themselves. They start a joint blog. They start a podcast.

A commitment to a year-long project has begun: a kaddish in two-part harmony.

A conversation among an anthropologist, a musician, and their audience on themes of death and dying, grief, ritual, the interplay between musician and listener.

daily kaddish (extra): matt’s mom

Posted on 29 December 201023 March 2011 by erin

[powerpress]

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daily kaddish: just the notes, ma’am

Posted on 29 December 201023 March 2011 by erin
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gregorian chant, jesus fulfilling prophecy, and easy listening

Posted on 28 December 201023 March 2011 by erin

Last Sunday’s “Kaddish” recording (kaddish_2010.12.19_veniEmmanuel) explores and tests how the nusach of “Kaddish” blends into Gregorian chant; see “a musicological view of kogan’s ‘kaddish’” and commentary passim for discussion. Historical analysis As I mentioned in the analysis, in Gregorian chant we see Catholic monks blending the Judeo- into the -Christian of the Judeo-Christian tradition. All…

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daily kaddish: alive but not living

Posted on 28 December 201023 March 2011 by erin
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daily kaddish: phyllis

Posted on 27 December 201023 March 2011 by erin
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daily kaddish: hindy

Posted on 26 December 201023 March 2011 by erin
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daily kaddish: the first christmas without those who are gone

Posted on 25 December 201023 March 2011 by erin
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daily kaddish: reb deb’s two

Posted on 24 December 201023 March 2011 by erin
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daily kaddish: nanc

Posted on 23 December 201023 March 2011 by erin

[powerpress] For Nancy B. Ring.

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a kaddish for the israeli flag, may it rest in peace

Posted on 23 December 201027 March 2011 by mira

People say that there are a lot of reasons to open up a bible. Here’s one of them you might not have ever been asked to think about. And a reason why using the bible — especially לך לך — as a basis for validating nation-building is not a terribly good idea. We can lay…

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email mira and erin: kaddish@beitmalkhut.org

  • kaddish in two-part harmony (555)
    • essays (160)
    • guest essays (11)
    • podcasts (388)
    • project news (13)
    • tzaddik stories (31)
  • Seymour Fromer z"l (16)
  • the rebbe's queer daughters (11)
  • a kaddish for the math prof who taught me the most important thing i ever learned about music
    by erin
  • Protected: a sample recording
    by erin
  • a kaddish for the forestry buff who also played horn pretty well
    by erin
  • in the beginning…
    by erin
  • kaddish for anke akevit (2015-20)
    by erin
  • a kaddish for too many suicide victims—but it gets better!
    by erin
  • a kaddish for sigrid syltetøy vang, b. 2006, d. 27 February 2018
    by erin
  • guest kaddish: velvet marquesa flicka storm, 11 august 2005–9 april 2015
    by erin
  • the stones I cannot place
    by mira
  • oh amy, how could you — a kaddish for amy smith
    by mira

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Copyright

© 2010–24 by Mira Z. Amiras and Erin Vang (beitmalkhut.org). All rights reserved worldwide.

thank you—תודה רבה

Permission to use Lev Kogan's "Kaddish," © 1982 by Israel Brass Woodwind Publications
In-kind support: Global Pragmatica LLC®

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