Skip to content
Menu
beitmalkhut.org beitmalkhut.org
  • contact us
  • yizkor—minyan remembrances
  • tzaddik stories
  • seymour fromer z”l
    • mira z. amiras — san francisco
    • harold lindenthal — nyc and hartford
    • fred rosenbaum, brooklyn and berkeley
    • joe hoffman, jerusalem
  • jewish mysticism, magic, and folklore
    • study group topics and schedule
  • recommended readings
    • death and dying
    • selected articles by mira
beitmalkhut.org beitmalkhut.org

Author: erin

Erin Vang, PMP, BMus, MMus, is Owner and Principal Pragmatist of the consultancy Global Pragmatica LLC®, offering custom JMP scripting, localization program management, and facilitative leadership services. She is also an orchestral horn player who freelanced in the San Francisco Bay Area and played assorted brass for the celebrated dance bands Midnight Smørgåsbord and contraPtion. She now conducts all her nefarious activities from Vanghalla, in Helena, Montana, where she's principal hornist of the Helena Symphony. More about Erin…

daily kaddish: debut

Posted on 6 November 201023 March 2011 by erin
+

on playing kaddish

Posted on 4 November 201023 March 2011 by erin

Mira Amiras’ blog “and this part is true” had a recent post entitled “war stories” about translating the Kaddish, the traditional Jewish mourner’s prayer. She asks, “What does this really mean?” It’s a good question, because the Aramaic text doesn’t say a thing about mourning. It’s a pretty generic prayer, in fact. Here’s the basic…

+

mandelbrot and music: on listening in fractal dimensions

Posted on 25 October 20109 February 2016 by erin

Benoit Mandelbrot died this month. He was the guy who came up with fractal theory, which led to all those gorgeous computer graphics like this one: Last week, my friend and contradance bandmate Tina Fields wrote an essay about Mandelbrot’s ideas on her blog, Indigenize! I found it quite thought-provoking, and it surprised me how much I…

+
  • Previous
  • 1
  • …
  • 41
  • 42
  • 43
  • 44

email mira and erin: kaddish@beitmalkhut.org

  • kaddish in two-part harmony (555)
    • essays (160)
    • guest essays (11)
    • podcasts (388)
    • project news (13)
    • tzaddik stories (31)
  • Seymour Fromer z"l (16)
  • the rebbe's queer daughters (11)
  • a kaddish for the math prof who taught me the most important thing i ever learned about music
    by erin
  • Protected: a sample recording
    by erin
  • a kaddish for the forestry buff who also played horn pretty well
    by erin
  • in the beginning…
    by erin
  • kaddish for anke akevit (2015-20)
    by erin
  • a kaddish for too many suicide victims—but it gets better!
    by erin
  • a kaddish for sigrid syltetøy vang, b. 2006, d. 27 February 2018
    by erin
  • guest kaddish: velvet marquesa flicka storm, 11 august 2005–9 april 2015
    by erin
  • the stones I cannot place
    by mira
  • oh amy, how could you — a kaddish for amy smith
    by mira

anthropology backstage cats Charlotte Adams China choreography collaboration dads death death and dying divorce dogs exhaustion grief japan Jewish identity John Manning kabbalah kaddish life cycle Magnes Museum Malkah Middle East moms mourning murder music musicians musicology parenting piano ritual Sephardi Seymour Fromer Space Place suicide supine text the rebbe's queer daughters tzaddik tzaddik stories University of Iowa women writing yahrtzeit

Copyright

© 2010–24 by Mira Z. Amiras and Erin Vang (beitmalkhut.org). All rights reserved worldwide.

thank you—תודה רבה

Permission to use Lev Kogan's "Kaddish," © 1982 by Israel Brass Woodwind Publications
In-kind support: Global Pragmatica LLC®

meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org
©2026 beitmalkhut.org | Powered by Superb Themes