Mira, Where is the place that you get lost? Is it the stopped horn bit—the fourteen notes with a distant, pinched, buzzy sound, and then the normal horn tone returns? Then there’s a phrase, then a restatement of the second big line of the piece, then the climb to the ending? I’m doing musicology on…
Author: erin
daily kaddish
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a kaddish for everybody i have eaten
While I was running along Skyline with Kjersten tonight, I got to thinking about how I’m actually thinking about taking a pheasant-hunting lesson in November. To kill animals for the sake of my animal. I am perplexed.
daily kaddish: on ritual’s tyrannies and blessings
a kaddish in two-part harmony – I wasn’t in the mood to make yesterday’s Kaddish, but honoring my promise to keep a ritual brought blessings I couldn’t have thought to desire
daily kaddish: in which the musician responds to all this brilliance with a straightforward attempt to play the damned notes
I was all set to play a nice, meditative Kaddish this afternoon when technology decided to mess with me. It took me an hour of fiddling just to get the program to launch so I could record my dulcet tones for you. After all that, I was in no mood to be prayerful. But here…
daily kaddish: for eichmann
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daily kaddish
[powerpress]
on playing kaddish
Mira Amiras’ blog “and this part is true” had a recent post entitled “war stories” about translating the Kaddish, the traditional Jewish mourner’s prayer. She asks, “What does this really mean?” It’s a good question, because the Aramaic text doesn’t say a thing about mourning. It’s a pretty generic prayer, in fact. Here’s the basic…
mandelbrot and music: on listening in fractal dimensions
Benoit Mandelbrot died this month. He was the guy who came up with fractal theory, which led to all those gorgeous computer graphics like this one: Last week, my friend and contradance bandmate Tina Fields wrote an essay about Mandelbrot’s ideas on her blog, Indigenize! I found it quite thought-provoking, and it surprised me how much I…