{"id":4255,"date":"2011-10-24T21:50:08","date_gmt":"2011-10-25T04:50:08","guid":{"rendered":"http:\/\/216.92.17.21\/?p=4255"},"modified":"2011-10-30T10:36:27","modified_gmt":"2011-10-30T17:36:27","slug":"daily-kaddish-dressing-room","status":"publish","type":"post","link":"https:\/\/beitmalkhut.org\/?p=4255","title":{"rendered":"daily kaddish: from the dressing room"},"content":{"rendered":"<p>[powerpress]<\/p>\n<p>Today&#8217;s &#8220;Kaddish&#8221; recording is the first in a series made in the dressing room before our rehearsals and performances of Charlotte Adams&#8217; &#8220;Catch&#8221; in the University of Iowa&#8217;s &#8220;Dance Gala 2011.&#8221; These are at once recordings of Kogan&#8217;s &#8220;Kaddish,&#8221; my nightly warm-up before going onstage, and a slice of the life backstage at a dance theater. You hear the nervous excitement of the dancers getting dressed, chatting with each other, listening to headbanger music on their Macs or iPods or iPhones, putting on make-up, and psyching themselves and each other up to perform. You also hear the wardrobe assistants getting people squared away, the stage manager calling fifteen minute before.<\/p>\n<p>Unfortunately, this series of recordings is pretty crappy, because I chose an incorrect input setting (soft clipping) on my FiRE2 recording app, which basically sets all inputs down to a uniformly low level, making it sound like I play the entire piece with barely any dynamic contrast.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today&#8217;s &#8220;Kaddish&#8221; recording is the first in a series made in the dressing room before our rehearsals and performances\u2014a slice of life backstage. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[216,253],"tags":[685,800,797,801,952,798,802],"class_list":["post-4255","post","type-post","status-publish","format-standard","hentry","category-kaddish-in-two-part-harmony","category-podcasts","tag-backstage","tag-charlotte-adams","tag-choreography","tag-john-manning","tag-space-place","tag-supine","tag-university-of-iowa"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/beitmalkhut.org\/index.php?rest_route=\/wp\/v2\/posts\/4255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beitmalkhut.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/beitmalkhut.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/beitmalkhut.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/beitmalkhut.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4255"}],"version-history":[{"count":2,"href":"https:\/\/beitmalkhut.org\/index.php?rest_route=\/wp\/v2\/posts\/4255\/revisions"}],"predecessor-version":[{"id":4268,"href":"https:\/\/beitmalkhut.org\/index.php?rest_route=\/wp\/v2\/posts\/4255\/revisions\/4268"}],"wp:attachment":[{"href":"https:\/\/beitmalkhut.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/beitmalkhut.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/beitmalkhut.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}