Tag Archives: musicology

daily kaddish: for Lev Kogan on his Yahrtzeit

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The “kaddish in two-part harmony” project takes Lev Kogan’s “Kaddish” for solo horn as its musical focal point. Kogan died on this day in 2007. Continue reading

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daily kaddish: a moment of silence for the missing beat

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In a lengthy, geeky post the other day, I wrote about discovering a missing beat in one bar of Lev Kogan’s “Kaddish.” Tonight’s Kaddish has a moment of silence where I think that missing beat ought to be. Continue reading

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the mystery of the missing beat: on meter in Kogan’s “Kaddish”

How I came to notice that Lev Kogan’s “Kaddish” for solo horn is missing a beat. After TWENTY-FIVE YEARS of caring passionately about the piece. Hm. Continue reading

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what is it about words? a rant in response to a preamble

Music sits alongside religion as an opiate for the masses, and when music joins religion, it’s a truly powerful drug—one that scares the crap out of me sometimes.
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recent kaddishim: on connection and music

Something unexpected happened a few weekends ago. I asked Mira to record the text of the Mourner’s Kaddish for me, and she did, and then everything changed. We are nearing the end of the first three months. We have almost ten months to go on this daily musical exchange, according to the Julian calendar, because this is a leap year in the Hebrew calendar, which adds not just a leap day but a whole leap month. And after what felt like a lifetime of awful recordings to both of us, we’re both starting to enjoy the music. Continue reading

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gregorian chant, jesus fulfilling prophecy, and easy listening

Last Sunday’s “Kaddish” recording (kaddish_2010.12.19_veniEmmanuel) explores and tests how the nusach of “Kaddish” blends into Gregorian chant; see “a musicological view of kogan’s ‘kaddish’” and commentary passim for discussion. Historical analysis As I mentioned in the analysis, in Gregorian chant … Continue reading

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a musicological view of kogan’s “kaddish”

A musicological analysis of Kogan’s “Kaddish”; looking at the composition from a music historical and theoretical point of view. Continue reading

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